In the long run, what’s far more important than any amount of tedious political yammering? What trumps political change? Answer: what trumps both is a change in the culture -- of which political change is simply a consequence, not a cause.
So further evidence of “a resurgence in masterfully executed, beautiful representational art is a great thing,” says a Facebook friend. Like him, I think this reaction against a century of dumbed-down nihilism “mirrors the budding growth of reason in economics and other areas.”
In an ironic twist of history these traditional artists are perhaps the most radical and marginalised group of artists living today. And yet their numbers are growing.
This is great news.
These are highly skilled painters, sculptors, and draftsmen trained in ateliers or academies who are not embarrassed to utter the word “beautiful” at a time when that word is generally scorned by the contemporary art establishment. You’ll hardly ever see their works in major museums or at major galleries for longer than a short stint. Most of their works are whisked away by private collectors or are sitting in their studios, waiting to be discovered.
These artists value quality over quantity, sincerity over cynicism, intrinsic value over marketing hype, and the Western tradition of fine art over the avant garde fixation on newness…
Mostly awkward or humble when they try to describe their own work, they don’t fit into any radical stereotype. Suspicious of labels, they don’t know what to call themselves because they are too immersed in creating visual art to be able to think about words. They have decided to continue the Western tradition of art that has a reverence for mastery and skill and to learn the fundamentals of a visual language that developed over 700 years.
And with today’s postmodern art screaming for attention the more it self-confessedly has less and less to say, it is these young artistic heroes learning so much from the past who truly do represent the artistic future. And perhaps civilisation’s.